Lutyens legacy at Preston: Kiln Wood Cottage
Kiln Wood is less than a third of a mile (0.6 km) south-east of Preston Green, just short of the
junction of the lane from Preston and St Albans Highway. Its history over two centuries is portrayed by the
following maps:
(Above) Map of Kiln Wood dated 1816c
(Above) Map of Kiln Wood 1844
(Above) Map of Kiln Wood 1898 (the detail is identical to a map produced in 1873
when Temple Dinsley was sold)
(Above) Map of Kiln Wood 1935c
Kiln Wood expanded and then contracted during
the nineteenth and twentieth centuries - as
shown by the maps above. In the 1840s, it
occupied seven acres, yet by 1873 it had been
extended to merge with Lady Wood, to the
south. Sometime after 1945, felling reduced it to
more or less its earlier acreage. It was
comprised mainly of oak and ash trees.
Kiln Wood was a source for brick clay. Reginald
Hine when commenting on the geology of Hitchin
and its environs noted, ‘(the clay and flints) here
and there pass into a brick earth and is, or has
been, worked for brick making as at.... Preston....
the clay...is normally red’.
As some the the maps above portray, there are large waterlogged hollows where the clay has been
scooped from the earth. (see above right - the largest pool shown on the 1935c map). As it’s name
suggests, Kiln Wood was probably also the site for the brick-making process - firing the clay in kilns.
Kiln Wood in the nineteenth century
Kiln Wood in the nineteenth century
During the nineteenth century, Kiln Wood was owned by the Dartons of Temple Dinsley and was later
included in the sale of the mansion to the Pryor family in 1873.
The nineteenth century censuses and tithe awards tell the story of buildings on the outskirts of Kiln
Wood. The map of 1844c shows two edifices and the award reads, ‘Kiln Wood and Costage’ (sic). In
1851, there were two homes here: ‘Kiln Wood House’ (occupied by the agricultural worker, William
Mead with his wife, Dinah and seven children) and the smaller ‘Kiln Wood’ (occupied by farm worker,
George Fitzjohn with his wife and child.)
Ten year’s later, in 1861, there is an intriguing note in the census - the run of houses recorded by the
enumerator is: Poynders End Farm House; uninhabited house; plaiting school; ‘Kiln Wood House’ -
inhabited by the gardener, William Wilson, his wife and six others. It would appear that cottage shown
on the 1844c map as parallel to the lane was ‘Kiln Wood’ which was now empty but it, or an attached
barn perhaps, may well have been one of Preston’s plaiting schools (see link: Straw plait).
By 1871, the census sequence was: Poynders End; Keepers House (likely ‘Kiln Wood House’)
uninhabited; Temple Farm. The Temple Dinsley Sale Particulars (1873) note, ‘Kiln (Wood), in which
there is a comfortable keeper’s cottage, costage...’ In 1881 and 1891, the woodman James Swain
and his wife Mary Ann were living at Kiln Wood (House) and the widowed May Ann was still there at
the turn of the century with her son, George Swain. (See link: James Swain)
The 1898 map (shown above), portrays the position of the surviving abode, ‘Kiln Wood House’, at
right-angles to the lane. Close by, were some outbuildings. The cottage was occupied in 1906 by
Edward Saunders and in then in 1910 by both Charles Longbottom and, shortly afterwards, John
Payne and was now called ‘Kiln Wood Cottage’ (owned by Herbert Fenwick). It was described in the
Inland Revenue survey of the time as a ‘brick tiled cottage containing two kitchens, two bedrooms and
a wood and tiled barn. In poor repair’.
Kiln Wood in the twentieth century
In 1911, the Temple Dinsley estate carpenter, John Mission with his young family were living in the
cottage but it was soon to be demolished. In its place, a new ‘Kiln House Cottage’ was built in 1913
that was designed by Edwin Lutyens. (see link: Kiln Wood Cottage). There was an appraisal of the
facilities of the cottage in 1945, when it was sold as part of the Minsden Estate: ‘Detached cottage,
brick and tiled, containing two living rooms,kitchen, scullery, three bedrooms, bath fitted in upstairs
cupboard but water not connected from sink, outside barn and EC, garden, Mains electricity. Also,
carpenter’s shop at Kiln Wood comprising brick and tiled carpenter’s shop, brick and thatched paint
shop, timber and corrugated iron store, Mains electricity’. (This shop was evidently linked to the
cottage.)
Occupiers of Kiln Wood Cottage 1915 - 1981c
John Flint
William and Amelia Cullum
John and Annie Flint
Henry, Gladys and William Darton
Arthur and Nellie Bennett
1915
1920
1925
1930
1956 - 1981
Kiln Wood Cottage today (contributed by Mike Kellard)
Kiln Wood Cottage was designed by Sir Edwin Lutyens in 1913 and built in 1914 for the carpenter to
Temple Dynsley. The carpenter’s single storey workshop alongside was partly rebuilt with a new roof
and originally it had a deep saw pit. It was in excess of 4m deep, and was later filled with domestic
rubbish - old broken bottles, china etc with rubble.
The site formed a general builder’s yard and much of it is covered with builder’s debris as fill to former
large clay pits which had yielded materials for local brick making. Other former clay pits can be seen
within Kiln Wood which is now a protected woodland.
Shortly after the Second World War it became a private residence and the blacksmith in Preston, Bill
Tripp, made the two pairs of handsome cast iron gates and side gate which were recently restored.
In 1988 the two buildings were linked by a single storey structure which reflected the character of
similar work undertaken by Lutyen’s office in the Spring, 1913. The former workshop was converted
into living accommodation with a first floor created within the structure and the addition of hipped
dormer windows.
In 2003 an earlier timber outbuilding used as a garage was demolished and replaced with an oak
framed barn.
Entrance gates
View from School Lane
View from entrance driveway
View from the rear -southern facade
The main entrance on the eastern facade
Technical notes
The house is constructed in cavity brickwork with twisted galvanised ties using snapped, burnt
headers suggesting a solid one brick wall. It has a battered western façade formed below a ‘cat slide’
roof and all roofs have corbelled tile eaves with tile dressings to corners below the eaves.
The adjoining former workshop has solid one-and-a-half brick walls with a one brick wall
superimposed at window cill level. This later work, undertaken in 1914, used the typical tile creasing
and corbelled eaves detailing to the roof, similar to the house.